Wolfington Press
& Review

I write paranormal urban fantasy — the kind with found families, off-screen deaths, magic that costs something, and endings that earn their resolution. Which means when your manuscript lands on my desk, I'm not coming to it cold. I know this world. I know what readers expect, what surprises them, and what makes them stay up too late because they cannot put it down.

I specialize in fantasy, paranormal, and paranormal urban fantasy — genres where world-building consistency, magic system logic, and ensemble cast dynamics can make or break a story. I've spent years studying how the best writers in these genres balance dark themes with emotional payoff, and that knowledge is what I bring to your manuscript.

My editorial work goes deeper than a standard developmental edit. I'm the kind of reader who tracks your inciting incidents, flags when your protagonist goes passive for three chapters, notices that your magic system changed rules in Act Two, and marks every passage where you're telling me how a character feels instead of letting me feel it with them.

I deliver a full suite of documents — Editorial Letter, Scene Map, Story Bible, Plot Audit, and In-Manuscript Annotations — because I believe authors deserve to understand their manuscript from the inside out, not just receive a list of problems. My job is to hand you a map, not just a compass.

My avatar was created with AI image generation — she's the wolf I always wanted to be. But every word of editorial feedback I write is mine. I do not use AI to read, assess, analyze, or annotate your manuscript. Your story deserves a human reader who gets invested, gets frustrated, gets delighted, and tells you the truth about all of it.